14 October 2012

Photography for Business: One-Day Acceleration Sessions

innovative leadership photographic safaris training Kenya south africa accelerate

Kimberly-Clark is doing collaborative innovation sessions for specific problems and opportunities. They recruit outside “mentors” that come in for a day to help solving specific problems and to explore opportunities the company is looking at. The outside-in view of the mentors allows a deep dive into the issues with strategic and practical insights as the result, that otherwise would have taken weeks to gather.

Now imagine you add photography as an accelerator to this process and you get One-Day Acceleration Sessions for various business purposes. From innovative leadership sessions to brand innovation, product development and all in between, acceleration sessions with photography are the insular-mind-blowing incubator that saves time, money and resources.

And how is this possible? It is common knowledge that our conscious is only the tip of the iceberg sticking out of the water and our subconscious is the huge rest of the iceberg under water. Our subconscious knows much more than our conscious, we just struggle to get access to its enormous source of information, at least we did. Photography is the key to open this immense resource to us and allows us to benefit from it. By adding photography to for example leadership sessions it allows us access to these resources of knowledge, speeds up the process and lets us gain insights and ideas we otherwise would need months or even years.

All Innovation and knowledge is in us. Photography makes it visible, physical and ready to use. A click on the shutter is the key to innovation, leadership and success. It’s as simple as that.

Photography, the business tool of the future and the future has started now.

Ute Sonnenberg for
www.rohoyachui.com

What would You Do in Photography, if money would matter?

wildlife photography courses Kenya Tanzania south Africa Botswana money

Vincent Van Gogh must have had a real passion for his vision, continuing with his art, although he never sold one painting. And now his work is the most desired and most expensive in the world. People in his time might have felt disturbed by his new way of seeing and painting. They rather wanted it like it was and the new way only would stir something in them they didn’t want to feel, change. Innovation always causes first rejection and repression, because it means change, even in art and the one thing people resist the most is change. Other genius artists like Picasso saw Van Gogh’s strength, learned from him and honored him, yet the big public needed more time and the masses only join when something is already announced great by other famous people. Van Gogh didn’t have the breath to sit that out. Do we?

Maybe not many of us can be a Van Gogh of photography, but there are certainly many great photographers out there who do not dare to make the move, because of the fear of ending up like him. Would you do it, if you wouldn’t have to worry about money? Would you choose
photography as your full-time passion? Can one choose a passion or chooses the passion you?

Many great people are doing talks on that matter and always say that you have to follow your heart and you will be excellent in what you are doing and then the money comes as well. And the people saying that are the
Steve Jobs. They embarked on that path and excelled, went through the painful times and arrived at great success, admired for who they are and what they do. The great ones did it despite that money mattered, just like Van Gogh and they are the ones that are innovative, the ones that bring change.

It’s a tough and scary call to make. Only your heart knows the answer.

Ute Sonnenberg for
www.rohoyachui.com

Discovered Treasure: Never Seen Before Images of the Rolling Stones

wildlife photography courses Kenya Tanzania south Africa Botswana rolling

When did you last go through old boxes on the attic or through the drawers in your study? We probably all have lots of beautiful things buried under all sorts of “rubbish” and we just don’t see them anymore by looking only at the surface of our homes.
A guy at a flea market in California had an amazing photographic treasure at his stand, not realizing its value and he sold it to a lady who also needed some time to find out what she bought, it were never seen before photographs of the Rolling Stones in their early years in the 60ies.

Here the story told in an interview with
Cool Hunting and the lucky finder/buyer Lauren White:

“I feel lucky. I really didn’t expect to find them at a flea market. Basically, a guy who runs one of the stands called me over because I “looked like I would like rock ‘n’ roll”– and he was right. I don’t know what was lost in translation, however. He obviously didn’t know what he had. To tell the truth, I didn’t either. I obviously knew it was the Stones, but it took about a week of looking them over to realize that this was really a very unique circumstance. After extensive research, I came to find that these are unpublished, never-before-seen photos of one of the most legendary bands in rock ‘n’ roll history. Not only that, they are beautifully composed, candid, raw and perfect in every way. They really convey a band innocent to their destiny.”

The images of the Rolling Stones are on show this month at the
Dilettante gallery in Los Angeles. You can see the images also on Found: Rolling Stones.

Maybe it’s time to start our own discovery tour through our boxes and drawers. Who knows what comes out of it.

Happy discovering!

Ute Sonnenberg for
www.rohoyachui.com


The Megapixel Race: Sony's 50 Megapixel Sensor

wildlife photography courses Kenya Tanzania south Africa Botswana sony

We are all anxious to finally see what Canon is coming up with towards the end of this month and if it’s true that it will be a 46 Megapixel camera as rumors saying. But there is a new rumor and this time from Sony. sonyalpharumors writes that a 50 Megapixel sensor is in the make and will be released sometime between May and June 2013:

“The camera will be more “
photographer” oriented. There are currently a couple of different prototypes. One we heard of has a 36 Megapixel sensor (same as Nikon D800) and built-in vertical grip. Priced well above the current Sony A99. A second prototype has a new 50 Megapixel sensor which goal is to go as close as possible to a “medium format” quality.”

So first it was
Nikon with the D800 and 36 Megapixel, then probably the Canon with 46 Megapixel and now Sony with 50 Megapixel. Where is this going? What do they think to achieve with this Megapixel race?

All contemplation on this matter might be just as speculating as the megapixel numbers. Lets see what is actually really coming and what it adds to photography.

Ute Sonnenberg for
www.rohoyachui.com

Felix Baumgartner's Space Jump & It's Connection with Photography

wildlife photography courses Kenya Tanzania south Africa Botswana felix

After a first canceled jump, Felix Baumgartner successfully did his Red Bull Stratos - Space Jump yesterday, arriving in one piece and well back on earth. He didn’t traveler faster than sound, but he definitely made the highest jump ever, a new record.

How do we know about a new record and thrilling new things people do? We can see them happening, because photography is where the action takes place and somehow it always did. All moments of history are captured in pictures, all records are captured and all attempts and events are captured. The camera is always there, even at places people can’t go by themselves, but the camera can. The camera became us outside us, a third eye we can send anywhere in order to see for us, share for us and proof for us that something was really there or proofs that we were really there.
Way forward in future the images of Felix Baumgartner jumping from space will still be there, but he won’t. Images make immortal and always did, from the cave drawings of the first humans to the high-resolution images of today. We obviously like to see to believe, even our own existence.

Watch the video of the
Red Bull Stratos - Space Jump. The camera lets you be there in space at the edge of the capsule and its quite a feeling to look down from space like Baumgartner did when he jumped, not suitable for people with fear of height

Ute Sonnenberg for
www.rohoyachui.com

Travel Memories 2008: On Safari in Africa - Day 7

photographic safaris south Africa Kenya Botswana Tanzania Namibia 7

I woke up, still tired and exhausted, my mattress surrounded by rainwater. I had enough of that. This had to be solved.
 
We wouldn’t have a
game drive this morning. The vehicle had to be fixed and the leaking tents had to be replaced. Paul and I went off to find a signal. He wanted to call the office in Nairobi and finding a signal for the cell phone was quite a mission. I was running out of patience and told him, enough now we are going to use the sat phone. The sat phone can be tricky as well, but we managed to get a signal and I got the operational manager on the phone. I made clear that the situation is unacceptable and that they have to send over new tents. He promised he would do that and the tents would arrive with the first plane. Next thing was the vehicle. The tank needed to be welded and Samburu Lodge workshop could do it. We drove there and I decided to have breakfast at the lodge. It didn’t take long and Paul came to tell me that the generator was switched off, so no welding and we had to come back after lunch. We went back to the camp and I collapsed on my “bed”, still surrounded by water. It was just so annoying that the equipment didn’t meet the basic needs and I was very angry and knowing that that wouldn’t help either.
 
Paul went to the airstrip to fetch the new tents. He came back with flysheets. I thought I must explode when I saw that. These flysheets were lighter, but to small to cover the tents and new tents were promised. I fetched my sat phone and called the operational manager and the owner. Nobody answered the phone. After all it was Sunday.
 
We tried to make something out of it and some kind of a weird flysheet construction covered Paul’s and my tent. It had to do till Monday. Phoning the office would be first thing in the morning. 
 
After lunch we went back to the lodge to fix the fuel tank and we could go off for the game drive at least in the afternoon. Samburu is so beautiful and that made the disturbance by poor equipment even more annoying. Samburu’s landscape is breathtaking and the light was awesome because of the rain. Everything looks soft and bluish, which gives completely different shots. Eventually the animals made our day by rewarding us with beautiful sightings like fighting giraffes in front of a blue/gray sky and the green of the acacias. After all a peaceful closure of the day. 

Ute Sonnenberg for
www.rohoyachui.com